This goes for the audience. This is one of those movies where if you like that sort of thing, it will be the sort of thing you like. When I see movies, I usually watch them because they may sound or look interesting, regardless of who is starring in the film. This sounded kind of interesting so I viewed it. There’s about 100 minutes I’ll never get back. It doesn’t seem often that I give a one star rating, but here it is. This film had nothing that made me really care about the characters. I mean I did find myself cheering on the hero Keanu Reeves but it was just to get to the end to stop the agonizing torture I was feeling watching the movie.
Eli Roth directed Knock Knock, which was billed as an erotic thriller. However, it never seemed to be scary, erotic, or have the necessary suspense to carry the film. Knock Knock is apparently a loose remake of 1977’s Death Game where a story is told of Evan, an architect and happily married father of two, who finds himself alone after his wife (Ignacia Allamand) and kids (Dan and Megan Bailey) are off on a weekend trip while he stays behind to get some work done. Things unravel when he answers a knock on the door and invites two young women (Lorenza Izzo, Ana de Armas) from the rain who are apparently lost.
It appears that the two girls have developed a “game” for unsuspecting married men. We learn a little more about these two young women as the film goes on but it is unclear if they are always telling the truth or if it is more a part of their game. I was still trying to figure that out by the end of the film. I am not sure. I might have even missed something while viewing it because of the dulling pain I was enduring for the length of the film.
The performances were nothing great here, except for Reeves. He has come a little ways since his Bill and Ted days. For a period, though, he seemed to have this monotone voice in his performances, which made him sound like he was playing the same type of character over and over. Reeves played Evan with conviction and at the same time it was a quiet performance, which did fall flat at times but it was still better than anything else in the film. It had heart and it was believable on the simplest of levels.
Evan’s wife and kids aren’t in the film too much so for most of the film it was just Evan and the two girls who show up on his doorstep. Izzo and Armas play weak, stereotypical girls with not much depth or feeling. As I mentioned, there was nothing erotic (although there is some nudity and sexual situations, but they just seemed dull or forced) about the film and the same goes for these two characters. It became more annoying than anything else, which I think added to the mind-numbing pain I felt watching the film. So again, by the third act I was just cheering for Evan to either kill or kick those little girls’ asses. That might sound a little violent, but that’s what I was feeling because I believe that’s what Evan was thinking about doing. But he is not a violent man. I was waiting for something like that to happen in order to end my torment (as well as Evan’s) because I really began despising those two annoying female characters.
The story might be plausible. The characters might be engaging. And maybe in another type of film with another type of director, this combination might have actually worked. But as it is (and as I’ve said), it doesn’t quite work well here for me. The characters needed more. The story needed more. The scenes needed more. More what you might ask? Well….just more. More of anything that would lead be to be intrigued by the story and characters. More of that something to be captured by the unfolding action of the plot and situations. Just more.
In the special features there is an alternate ending. The ending shown there (while still unsatisfactory) would have still been more satisfying than the ending they cut for the release of the film. I don’t know what it was about the film that turned me away from it. It wasn’t really the content or the themes, which really seemed to point at the plausibility of men’s infidelity and the reversal of how women can be as dominating as men. I believe it was just the way the two young female characters were portrayed and the overall acting in the film. Again, it became more annoying than anything else, and the film never left me with enough to fully care about the characters.