Rating 2/5

Two years after ‘Mirrors’ was released, the sequel came and did not carry over any characters or story from the first film, but created new characters and a new story. However, the story and plot were very similar to the original film from which it is based, ‘Into the Mirror’ by Sung-ho Kim. A few changes where made to some of the characters’ backstory and plot lines, but the film did remain similar in tone and plot as the original ‘Into the Mirror.’

As I wrote in my review of the remake, ‘Mirrors,’ the original film droned on more like a slow moving suspenseful political thriller. But from the opening sequence of the 2010 remake to its final moments, ‘Mirrors’ captured my interest. This film didn’t. I think it was due in large part that it was very similar to the original. So, this sequel was basically a remake of the original, whereas the first remake was a little more inventive and creative in the retelling of the story.

The film centers around a man, Max Matheson (Nick Stahl), who is recovering from a traumatic car accident in which his fiancé is killed. This differs from the original Korean film and the 2010 remake in which the main character is a former detective recovering from the fatal accidental shooting of the main character’s former partner. In both the original and the 2010 remake, the main character has to deal with that incident and takes a job as a night security guard in the process.

Rounding out the cast are Emmanuelle Vaugier, Christy Carlson Romano, William Katt, Lawrence Turner, Jon Michael Davis, and Stephanie Honore’. These are the key players in the film. Katt plays Max’s father who gives him a job as a night guard at a new store reopening after a fire destroyed the first store. The store is called the Mayflower, as in the original. Here Max begins to see images of a girl, Eleanor Reigns (Horore’), and tries to unravel the mystery of her identity. Vaugier plays Elizabeth, Eleanor’s sister, who is trying to find her Eleanor. Three of Max’s work associates; Keller Landreaux (Turner), Jenna McCarty (Romano), and Ryan Parker (Jon Michael Davis), are all tied in with the girl’s disappearance.

I believe the film suffers here from Matt Venne’s script, which was trying to return to the original source and basically telling the same plot with a few changes. Victor Garcia directed the film at a pace that just appeared unimaginative and seemingly uneventful. I didn’t feel the characters were drawn out and three-dimensional enough to really care about them, except for Max, but even Stahl gave a lackluster performance.

To me this film’s ending seemed to wrap up the film in a somewhat happy ending. Although it was fairly gratifying to see it end as it did, I just didn’t care enough about the characters throughout to really appreciate it. The only seemingly redeeming quality was the fact that it was shorter than its predecessors and ran just under 90 minutes.

 

 

 

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