Rating 4/5

With the release of the ‘Ghostbusters’ reboot with a female cast, and my recent review of that film, I decided to revisit the original 1984 film and offer some thoughts. You can view the trailer for the reboot here:

Ghostbusters 2016

The original film, written by Dan Aykroyd and the late Harold Ramis, is a comedy classic that has seemed to endure for over 30 years.

The film seemed to have all the right elements that appeared to have worked together flawlessly. With the comedy team of two Saturday Night Live alums, Bill Murray and Aykroyd, and Ramis, a funny man on his own having written several classics as Animal House, Caddyshack, Stripes, and Groundhog Day, among several others, and director Ivan Reitman putting this cast, with its great supporting cast, production pieces, and the scientific, yet witty, dialogue together into comedy gold with a mixture of action, sci-fi, and a little suspense. You can view the original trailer here:

Ghostbusters – Original Trailer

A quick synopsis of the film is three parapsychologists, after being fired from their university positions, decide to set up a service in which they capture ghosts and become the Ghostbusters. Murray, Aykroyd, and Ramis bring their characters to life with humor, quick-witted and intelligent dialogue, and a believable grasp of the scientific language. During the course of their adventures, they take on another member to their team portrayed by Ernie Hudson. All of the characters are varied and well acted with performances by Rick Moranis, Sigourney Weaver and Annie Potts as they round out the supporting cast.

The special effects in this film are many and decent for the time (1984) in which it was released. The story and plot appear simple but effective. The world of the paranormal and the “real” world collide during the climax of the film and results in the ultimate showdown between good and evil. The film is a well-blended mixture of a well-written script, visual effects, great direction and performances, and the right amount of comedy that flows from the characters and story rather than seeming forced and just there just for comedy’s sake.

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